Formative AssessmentPosted: February 17, 2016
I let the blogging slide before Christmas, and I made quite a lot of work that I want to show here. Only problem is there’s quite a lot to show. I think the best way for me to cover that time span is to do a long post of pictures with captions in making order as much as possible, and then more detailed posts for things I want to go into detail more on. I generally take quite a lot of photos so I selected the best and as few as possible to present or document the process. I will throw in the odd paragraph where I think its needed, most of that content will be from notes I have kept at the time of making etc.
At the time of my pitch for my ideas for my degree show body of work (October) I wrote that my pitch had gone ok-ish. Ingrid said to me at the time that the context, concept was there but the nub and the physical starting point was not. In my pitch meeting it was suggested that I take something whether visual, concept, data, a subject and use it to make some form. I was not to worry about the subject or connotations of the start point , as it was just a device to get started making the types of forms I wished to create. The starting point does not become what the work is about but rather just a part of the works process. In my pitch I described being inspired by Olarfur Eliasson’s library of forms, a goal we set for me was to begin my own library of forms using ‘fast’ materials and just prototype and develop form ideas that interested me. The main points to then come out of my pitch presentation were:
- An exploration of form.
- I should investigate formalism, minimalism, the post digital aesthetic, microscopic forms, post modern and contemporary architecture.
- Explore a combination of scanned and modeled form…approach the same form from two different aspects.. the digital and the hand crafted.
- Am I specifically interested in working with a digital aesthetic or a non digital one?
As my formative was approaching I was to get decided to make some ‘fractal’ triangle forms that I had been experimenting with in card and laser cutting. After discussions with Pip and Zoe I decided to make this form as large as I could from a sheet of 8″ x 4″ mild steel. Soon I was well into making a steel ‘triangles’ sculpture and semed to forget all else (hence why I am writing this now).
On the 10th of December straight after my formative assessment I wrote that it had gone well. I wrote that I needed to continue my library of forms (currently doing) and to start scanning them as well as my triangle sculptures to create the ‘skins’ of these objects. This could be done by collecting object point clouds and then using the point clouds to make objects. The objects can then be produced as rapid prototypes. Another more immediate and physical way to do this is to stretch thick stretchy cotton over my forms.
My verbal feedback for my formative assessment happened on the 11/01/2016. Here Ingrid suggested I should be thinking about how my viewer will see my work. Are my works phenomenological forms? a collection of modernist sculptures? what are the contrasts, relationships between the collection of forms, how do the pieces inhabit space? Am i trying to prove anything?
I have a lot to do, a lot of ideas to make, a context to cement and a show to make…